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The Machine Never Clocks Off. He Does: Mike Sain't Louis, Madrid's ‘First AI Singer-Songwriter’, on Learning to Rest Without Guilt

After roughly two years and 273 singles, the indie alternative artist behind PLANETA GAYFOLK talks about tiredness, a lawyer in high heels and a ballad about people who swear on their parents' lives

Mike Sain't Louis, a man with black curly hair and a beard in a black wool coat and turtleneck, looks over his shoulder towards the camera on a sandy beach with grey waves and dark rocks under a cloudy sky.
Mike Sain't Louis on an empty winter beach, glancing back over his shoulder: the off-season, when even a prolific writer lets the sea do the work.

Madrid, 25 October 2026 – The tool Mike Sain't Louis uses to make his music does not yawn. It does not get sore eyes at two in the morning or ask for a long weekend. Ask it for a version and it delivers one; ask again and it delivers another, until sunrise if necessary. "It would hold up," he says. "I wouldn't."

That small confession sits at the centre of how the Madrid-based indie alternative artist now talks about his work. Mike Sain't Louis calls himself "the first AI singer-songwriter". He writes all of his lyrics and works as composer, music producer, artistic director and CEO of his own independent label, MIKE SAIN'T LOUIS. The music and vocal performances are generated with artificial intelligence, which he treats as a production and arranging tool. In roughly two years he has built PLANETA GAYFOLK: 273 singles and more than 280 music videos. It was not quick. And that is precisely the point he wants to make.

A factory with no closing time

On his blog, Mike has written that the debate about AI music tends to circle the same questions: is it art, is it cheating, who signs what. Almost nobody talks about rhythm, the pace of the work itself. Between a finished lyric and a finished song there used to be a long road of waiting, money and other people's diaries. That wait was frustrating, but it also forced you to stop. Now he can write a lyric in the afternoon and hear ten possible arrangements by night.

"It's a gift for someone who has more songs in his head than hours in the day," he says. "But it comes without instructions. The question stops being ‘can I make another one?' and becomes ‘why don't I make another one?' That question has no bottom."

He describes nights spent choosing between nearly identical versions with dry eyes and cold coffee, no longer sure whether one was better or he was simply too tired to hear. "At that point I'm not creating. I'm working a shift nobody gave me."

The lyrics, he stresses, still move at human speed. An idea can arrive in ten seconds on the metro and take days to find its shape. Rewriting is the slowest, least visible part of the job, and the part no tool shortens.

A lawyer in heels

The pleasure of rest is audible in one of his most strutting tracks. "Licenciada en derecho" ("Law graduate") is a bilingual, swaggering walk through the city in high heels, mixing English and Spanish line by line. The narrator is educated, chic and catching flights rather than feelings, from Madrid to Miami, with law books in the bag. The hook is a correction aimed at anyone staring at the wrong part of her: "No me mires el pecho, que soy licenciada en derecho." Don't look at my chest; I have a law degree.

It is a song about being underestimated and refusing to shrink, and it has the energy of someone who slept well the night before. "That one feels like a Saturday," Mike says. "Nobody writes ‘boss lady' on four hours' sleep."

A ballad about broken promises

"Quien miente y jura" ("Whoever lies and swears") is the other side of the coin. Slow and plain, it argues that whoever lies and swears to save a love is actually condemning it, because deceit is the worst traitor and leaves only a heart crying. The narrator knows the other person is fond of him but not in love. He admits his own faults, says he is not perfect, and closes the door: he needs someone who will value him, and he will never again trust someone who swears on his parents' lives.

That honesty connects to the deeper purpose behind PLANETA GAYFOLK. Mike Sain't Louis has spoken publicly about turning years of relationships with narcissistic partners into music, with professional help, to give visibility to psychological abuse and its effects on mental health. Writing those songs costs something. "You can't write about that every night," he says. "You need days off from your own story."

Rest as part of the job

His blog points to the World Health Organization's definition of burnout as an occupational phenomenon rather than a medical condition, linked to chronic workplace stress that has not been managed. He is careful not to diagnose himself. What he has changed is practical: fixed hours when he stops listening, days with no new versions at all, walks without headphones.

"The machine's capacity is not a target for a human being," he says. "Written down it sounds obvious. Living it with the screen still lit at midnight, it isn't."

The photo accompanying this release fits that mood: a winter beach, a heavy coat, grey water and nobody else around. It is not a promotional sunset. It looks like a day off.

Why Australian listeners might connect

Australia knows a thing or two about the culture of overwork and the gentler art of knocking off on time. Mike's songs are largely in Spanish, with others in English, French or Portuguese, and travel from electropop to copla, alternative pop and ballad. "Licenciada en derecho" is an easy door in for English speakers; "Quien miente y jura" rewards anyone willing to read the lyrics alongside it, which the website makes simple.

Many listeners discovered him in 2024, when "Tan Cateto" went viral on TikTok. The bigger picture is the GAYFOLK trilogy, three albums conceived as a single journey: "Descubierto un nuevo planeta llamado GAYFOLK", "Ojalá se pudiera viajar a GAYFOLK" and "El día de la liberación", the trip to a planet where everyone can live as they are.

Listen and download for free

Every song, with full lyrics, can be streamed and downloaded at no cost from https://mikesaintlouis.com. The catalogue is also on Spotify, Deezer and the major platforms. Instagram: @planetagayfolk.

About Mike Sain't Louis

Mike Sain't Louis is a Madrid indie alternative artist and the self-described "first AI singer-songwriter". He writes every lyric and directs every release through his own label, MIKE SAIN'T LOUIS, with no record company involved. His project PLANETA GAYFOLK is queer, uncensored and funny about serious things: love, heartbreak, ex-boyfriends, nosy neighbours, liberation and mental health.

Media enquiries

MIKE SAIN'T LOUIS info@mikesaintlouis.com https://mikesaintlouis.com Instagram: @planetagayfolk