The Song That Reviews Itself: Madrid's Mike Sain't Louis, “the first AI singer-songwriter,” on the jokes no machine can write

MADRID, Spain — October 25, 2026. Here is a detail most first-time listeners miss: the harshest critic of one Mike Sain't Louis song is the song itself. In its closing stretch, «Ojete Calor en versión Low Cost» stops telling its story, apologizes to anyone it may have offended and files its own review, comparing itself to a famous Spanish comedy-pop duo, only on a budget. It is a joke about a joke, and it is exactly the kind of move that Mike Sain't Louis, the Madrid indie alternative artist who presents himself as “the first AI singer-songwriter,” says no machine has ever handed him.

Sain't Louis writes every lyric in his catalog. The music and the vocal performances are generated with artificial intelligence, which he uses as a production and arrangement tool, choosing, discarding and asking again until a version serves the words. He is also the composer, producer, art director and CEO of his own independent label, MIKE SAIN'T LOUIS, with no record company and no middlemen. Over roughly two years of work he has built PLANETA GAYFOLK, a catalog of 273 singles and more than 280 music videos.

A machine that knows the recipe but never tasted the dish

The question he gets most often comes with a raised eyebrow: if AI makes the music, why not let it make the jokes too? His answer is that humor is not an ingredient you add. It is something you commit.

“The tool has processed an enormous number of songs, so it has processed an enormous number of jokes,” he says. “It knows what a punchline usually looks like. It knows that a list that twists at the end gets a smile. But it knows that the way you know a recipe for a dish you've never eaten. When I ask it for something funny, I get something nice. Office-birthday-card nice. And the humor I care about is never nice. It points at somebody: an ex, a prejudice, or me.”

Irony, in his view, is a relationship between what you say, what you leave out and what the listener already knows. Camp adds one more trap. It is exaggeration that knows it is exaggerating. A machine can exaggerate on command, he argues, but it has no idea it is doing it, and that awareness is the whole difference between camp and plain excess.

Exhibit A: a song that confesses, then grades itself

«Ojete Calor en versión Low Cost» is built on a small, deeply human piece of comedy. The narrator ends up in a hospital emergency room, describes his symptoms to a doctor, accepts the doctor's innocent explanation, and then admits to the listener that he lied: the cause was not the cold at all, but a night out he would rather not describe in the waiting room. The humor lives in that gap between the official version and the real one. The doctor gets one story; the audience gets the other.

Then comes the self-review:

Tal vez sea algo estilo Ojete Calor Pero en versión Low Cost (“Maybe it's something in the style of Ojete Calor / but the low-cost version”)

“That line only works if you know who Ojete Calor are, if you know I know, and if you know I'm laughing at myself first,” Sain't Louis says. “Three layers of knowing. Software doesn't have a single one of them.”

Exhibit B: Spanglish as a punchline

«Que te mola el cruising» plays a different game. It is a teasing, gossip-fueled number aimed at a guy who has been seen somewhere he would rather not be seen, and who now pretends nothing happened. The comedy is in the language. Sain't Louis drops English words straight into Spanish slang and makes them rhyme as if they had always lived there: “fliping,” “kissing,” “missing,” “cute,” “clean.” The misspelled “fliping” is deliberate, half borrowed and half mangled, and it makes the song sound like a friend leaning across a bar table with fresh news.

American listeners raised between two languages will recognize the trick immediately. Code-switching is not decoration here. It carries the attitude.

Why it lands in the United States

The United States has a long tradition of camp and of comedy that tells the truth sideways, and a huge bilingual audience that lives between English and Spanish every day. Sain't Louis writes mostly in Spanish, with songs in English, French and Portuguese, and his Spanglish is not a marketing layer. It is the way the jokes are built. For listeners who discovered him through «Tan Cateto», the track that went viral on TikTok in 2024, these two songs show the same instinct pushed further: say the embarrassing thing out loud, then laugh before anyone else can.

His work also has a serious side. With professional help, he has turned years of relationships with narcissistic partners into songs, hoping that people who have lived through psychological abuse feel seen and believed. The humor and the pain, he says, come from the same place. “I joke about the things that hurt, because a joke is the only door some people will open.”

What the human actually does

Inside the PLANETA GAYFOLK trilogy, three albums built as a single journey from «Descubierto un nuevo planeta llamado GAYFOLK» through «Ojalá se pudiera viajar a GAYFOLK» to «El día de la liberación», the jokes are the connective tissue. They almost always have a name, a place and a target.

“People assume the AI is the clever part,” he says. “The clever part is deciding which of forty versions lets the joke land, and writing a line that only makes sense if you've lived here. That part is slow. That part is mine.”

Listen and download for free

Every song, including both tracks mentioned here, can be streamed and downloaded for free at https://mikesaintlouis.com, each with its full lyrics. The catalog is also available on Spotify, Deezer and other major platforms.

About Mike Sain't Louis

Mike Sain't Louis is a Madrid-based indie alternative artist and lyricist who calls himself “the first AI singer-songwriter.” He writes all of his lyrics and directs the music and vocal performances he generates with AI, releasing everything through his own independent label. His project PLANETA GAYFOLK spans 273 singles and more than 280 videos of uncensored, funny and openly queer songs about love, exes, nosy neighbors and liberation.

Press contact

Mike Sain't Louis — MIKE SAIN'T LOUIS (independent label) Email: info@mikesaintlouis.com Website: https://mikesaintlouis.com Instagram: @planetagayfolk