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Nueva Zelanda ·

She Didn't Wait Around: a Madrid Songwriter's Frank, Funny Anthem to Women's Pleasure Finds a Natural Audience in Aotearoa

In “Me fui sin correrme”, indie alternative artist Mike Sain't Louis — who calls himself “the first AI singer-songwriter” — tells the story of a woman who walks out on a disappointing night and finishes it on her own terms

A man with black curly hair and a beard, wearing a black blazer and a thin silver chain, with a tattoo visible on his chest, looks to one side against a dark grey studio background.
Mike Sain't Louis photographed against a dark studio backdrop. The words behind “Me fui sin correrme” are his; the music and vocals are made with AI.

MADRID, Spain, 25 October 2026 — It begins as the most ordinary story in the world. A woman, one of many. An ordinary night, with an ordinary guy, who promised a great deal — until he fell asleep. She gets up and leaves. No anger, no guilt, no asking permission. And when she gets home, she decides to finish the story herself. That is the premise of “Me fui sin correrme” — roughly, “I Left Without Coming” — a frank, funny and quietly defiant song by Mike Sain't Louis, the Madrid-based indie alternative artist who presents himself as “the first AI singer-songwriter”. It's a song about women's pleasure, and about the silence that still surrounds it.

Mike Sain't Louis is clear about how his work is made. He writes every lyric and directs every song. The music and vocal performances are generated with artificial intelligence, which he uses as a production and arranging instrument. He doesn't sing on his recordings, and he doesn't pretend to. The words, the ideas and the artistic direction are his; the sound is built with the machine, under his direction, over many attempts.

The Story in His Own Words

In the note he wrote to accompany the song, Mike Sain't Louis lays out its meaning in a few short lines. “Me fui sin correrme” is about the moment a woman decides not to wait any longer. She leaves behind the myth that her pleasure depends on someone else, and breaks the silence that still weighs on female masturbation.

He closes the note with two sentences that work almost as a manifesto: wanting yourself is also loving yourself, and touching yourself is nothing to be ashamed of — it's power.

It's a striking subject for a male, queer songwriter to take on, and he knows it. But for him, the story belongs on the same planet as all his other songs: a world where nobody has to apologise for who they are or what they want.

“I wrote it because I'm tired of the idea that a woman's pleasure is a reward someone else hands out,” he says. “The guy falls asleep, fine. That's his problem. She doesn't owe him another minute. She goes home, and the night ends the way she wants it to. That's not scandalous. That's just honest.”

Humour Without the Wink-Wink

The title is blunt, and the song doesn't hide behind euphemisms. Mike Sain't Louis's lyrics are often explicit, and that's a deliberate part of his work. But “Me fui sin correrme” is less about shock than about tone. The heroine isn't humiliated, and neither is the man who dozed off; he simply stops mattering. The comedy comes from the shift in power: the night that was supposed to be about him becomes entirely about her.

That's characteristic of his writing. Across his catalogue he deals with love and heartbreak, ex-boyfriends, nosy neighbours, queer life in Spain, liberation and mental health — almost always with humour, irreverence and a generous dose of camp. The jokes aren't there to soften the message. They are how the message gets through.

The structure of the story helps too. There's no villain, no lengthy confrontation, no dramatic speech. The turning point is a small, almost silent act: getting dressed, closing the door, heading home. Many listeners will recognise that kind of decision from their own lives — the moment you stop waiting for someone else to make things right and simply do it yourself. The song turns that moment into something to celebrate rather than something to hide, and it does so in a matter-of-fact voice that never asks for approval.

“Laughter is a door,” he says. “If you start with a lecture, people leave. If you start with a woman walking out on a snoring bloke, they stay to hear the rest. And the rest is the important part.”

Who Is Mike Sain't Louis?

He describes himself as an indie alternative artist, and his independence is literal. He is lyricist, composer, music producer, artistic director and CEO of his own label, MIKE SAIN'T LOUIS. There's no record company behind him, no manager and no middlemen deciding what is too much.

His project, PLANETA GAYFOLK, gathers 273 singles and more than 280 music videos, built over roughly two years of work. Musically it ranges from electropop to copla — the dramatic Spanish song tradition — and from alternative pop to ballads. Most songs are in Spanish, with others in English, French and Portuguese.

At its centre sits a trilogy of albums designed as a single journey: “Descubierto un nuevo planeta llamado GAYFOLK” (A New Planet Called GAYFOLK Has Been Discovered), “Ojalá se pudiera viajar a GAYFOLK” (If Only You Could Travel to GAYFOLK) and “El día de la liberación” (Liberation Day). The destination is a planet where everyone can live exactly as they are.

Many listeners first found him in 2024, when his song “Tan Cateto” went viral on TikTok.

There is a serious thread running through his work as well. Mike Sain't Louis has spoken publicly about turning years of relationships with narcissistic partners into music, with professional help, to make narcissistic and psychological abuse and its effects on mental health more visible, and so that people who go through it feel seen and believed. “Me fui sin correrme” isn't about abuse, but it shares that instinct: telling a story that people usually keep to themselves, and taking the shame out of it.

The Portrait

The image that accompanies this release is a spare studio portrait: Mike Sain't Louis in a black blazer against a dark grey background, looking away from the camera. It's a sober frame for such a cheeky song, and the contrast is part of the point. Behind the jokes and the provocative titles is someone who takes the subject seriously.

“People see the title and think it's just a laugh,” he says. “It is a laugh. But it's also a woman deciding she's enough. I can be funny and mean every word.”

Why This Song Speaks to New Zealand Listeners

“Me fui sin correrme” is in Spanish, but its story doesn't need a passport. The scene — a promising night that fizzles out, a decision to leave, a quiet act of self-respect at home — is as recognisable in Auckland, Wellington or Ōtautahi Christchurch as it is in Madrid.

New Zealand audiences have long had an appetite for music that's direct and unpretentious, and for humour that is dry rather than showy. This song fits that sensibility. It doesn't preach. It tells a short, clear story and lets the listener draw the conclusion.

It also arrives in the middle of a conversation that matters everywhere: how we talk about pleasure, consent and self-worth, and why women's desire is still so often treated as either a joke or a secret. A song that treats it as neither — just as a normal part of a woman's life — is a small but useful contribution.

For listeners interested in the debate around artificial intelligence and creativity, Mike Sain't Louis offers a refreshingly transparent example. He doesn't hide his method or overstate it. He'll tell you exactly which part of the song is his — the story, the words, the point of view — and which part is made with the machine.

And for anyone learning Spanish, the lyrics are published in full on his website, so it's easy to read along, translate and understand every line.

Listen and Download for Free

All of Mike Sain't Louis's music can be streamed and downloaded free of charge at his official website, mikesaintlouis.com, where every song is published together with its lyrics. His music is also available on Spotify, Deezer and the major streaming platforms.

Updates on the project are shared on Instagram at @planetagayfolk.

About Mike Sain't Louis

Mike Sain't Louis is an indie alternative artist based in Madrid who calls himself “the first AI singer-songwriter”. He writes all his own lyrics and works as lyricist, composer, music producer, artistic director and CEO of his independent label, MIKE SAIN'T LOUIS, with no record company or intermediaries. Music and vocals are generated with artificial intelligence as a production tool, while the words and creative direction are entirely his. Across about two years he has built PLANETA GAYFOLK, a body of 273 singles and more than 280 music videos of queer, uncensored alternative pop, framed by a trilogy about the journey to a planet where everyone can be themselves. The entire catalogue is free to hear and download, with lyrics, at mikesaintlouis.com.

Media Contact

Mike Sain't Louis — MIKE SAIN'T LOUIS Email: info@mikesaintlouis.com Website: https://mikesaintlouis.com Instagram: @planetagayfolk