Eyes Up Here, Counselor: Mike Sain't Louis Turns a Spanglish Punchline into a Song About Being Taken Seriously

MADRID, October 25, 2026 — Somewhere between a catcall and a courtroom closing argument lives “Licenciada en derecho,” a bilingual pop track by Mike Sain't Louis. Its hook is a one-line comeback delivered with perfect timing: don't look at my chest, I have a law degree. It's funny the first time you hear it. By the fifth repetition, it stops being a joke and starts sounding like a policy.

Mike Sain't Louis is an indie alternative artist based in Madrid, Spain, and he introduces himself as “the first AI singer-songwriter.” The title is precise. He writes every lyric himself and directs every artistic decision; the music and the vocal performances are created with artificial intelligence, which he uses as a production and arrangement tool. The words are his. The idea is his. The machine is the instrument. Over roughly two years of work, that method has produced a catalog of 273 singles and more than 280 music videos under the banner of his project, PLANETA GAYFOLK.

A Punchline With a Diploma

“Licenciada en derecho” — Spanish for “law graduate,” in the feminine — follows a woman walking through the city in high heels, aware that people are looking, whispering and trying to figure her out. She is not interested in their verdict. She has places to be. The lyrics jump between English and Spanish the way bilingual people actually talk, mid-sentence and without apology, and the result feels less like a gimmick than like overhearing someone on the phone who is very, very done with being underestimated.

The chorus is the whole argument in a single line, repeated until it sticks:

“No me mires el pecho, que soy licenciada en derecho.” (“Don't look at my chest — I've got a law degree.”)

The rhyme between pecho (chest) and derecho (law) is what makes it land in Spanish: it's the kind of rhyme a kid would make up on the playground, and that silliness is the point. The song uses a cheap rhyme to deliver an expensive truth. Women — and plenty of men — get read by their bodies before anyone bothers to ask what they know. The narrator answers with a credential and a wink.

“Humor is the only way I know to say something serious without people leaving the room,” Mike Sain't Louis says. “If I wrote a lecture about respect, nobody would play it twice. If I make you laugh first, you've already agreed with me by the time you notice.”

Humor and Truth, in That Order

That approach runs through his whole body of work. Mike Sain't Louis writes alternative queer pop that is cheeky, uncensored and openly camp, moving from electropop to copla — the dramatic Spanish song tradition — and from alt-pop to ballads. Most of his songs are in Spanish, but he also writes in English, French and Portuguese. His subjects are love and heartbreak, ex-boyfriends, nosy neighbors, queer life in Spain, liberation and mental health. Some of his lyrics are explicit, and he treats that as part of the work rather than a stunt.

“Licenciada en derecho” is one of his more playful tracks, but it carries the same double structure as his heavier songs: a comic surface over something people have actually lived. The narrator travels with law books in her bag, catches flights instead of feelings and insists that brains and beauty are not a contradiction. None of it is subtle, and it isn't meant to be. It's an anthem for anyone who has had to prove, again, that they belong in the room.

What keeps it from turning preachy is structure. The song never explains itself. It doesn't stop to tell you what the lesson is or who the villain might be; it simply repeats its comeback, verse after verse, with the confidence of someone who has said it out loud many times before. The whispering strangers never get a line of their own. By the final chorus, the joke has quietly become a boundary, and the listener has been humming along to it the whole time without noticing the shift.

“I'm a gay man writing about a woman with a law degree, and people ask me why,” he says. “Because I know exactly what it feels like to be judged before you open your mouth. The details change. The look is the same.”

The Artist Behind the Comeback

There is no record label behind any of this. Mike Sain't Louis is a lyricist, composer, music producer, creative director and the CEO of his own independent label, which carries his name: MIKE SAIN'T LOUIS. No middlemen, no A&R notes, no committee deciding whether a chorus about someone's chest is too much for radio. If he thinks a song should exist, it exists.

That independence is how a catalog of this size gets built. The 273 singles and 280-plus videos didn't appear overnight; they are the product of about two years of steady, deliberate work, song by song. Each one starts with a lyric. Only once the words are finished does the question of sound come up, and that's where AI enters the process — as a studio, not as an author.

For many listeners, the first contact with his work came in 2024, when his song “Tan Cateto” went viral on TikTok. Those who kept listening found a much larger world: the GAYFOLK trilogy, three albums conceived as a single journey. Part I, “Descubierto un nuevo planeta llamado GAYFOLK” (“A New Planet Called GAYFOLK Has Been Discovered”); Part II, “Ojalá se pudiera viajar a GAYFOLK” (“If Only We Could Travel to GAYFOLK”); and Part III, “El día de la liberación” (“Liberation Day”). Together, they trace a trip to a planet where everyone can live exactly as they are.

There's a serious current under the jokes, too. Mike Sain't Louis has spoken publicly about turning years of relationships with narcissistic partners into music, with professional support, in order to bring visibility to narcissistic and psychological abuse and its effects on mental health — so that people living through it feel seen and believed. The humor in songs like “Licenciada en derecho” doesn't contradict that mission. It's part of how he survives it, and how he invites others in.

Why It Lands in the U.S.

The song practically introduces itself to American listeners. One of its verses opens with a line that maps a route many people know well:

“From Madrid to Miami, style's never sloppy.”

Spanglish is not a novelty in the United States; it's how millions of people speak at home, at work and in their group chats. A track that switches languages mid-thought, without stopping to translate, sounds familiar rather than foreign to bilingual audiences from Miami to Los Angeles. At the same time, its central idea — that being looked at is not the same as being seen — needs no translation at all.

There's also the AI question, which American audiences are debating loudly. Mike Sain't Louis offers a transparent case study. He doesn't hide the tools and doesn't pretend the machine wrote his songs. Every track on his website is published alongside its full lyrics, so anyone can check where the authorship lives. For listeners and writers trying to make sense of what “AI music” means in practice, it's a concrete example of one artist drawing the line in public.

“People expect AI music to be faceless,” he says. “Mine has a very specific face, and a very specific sense of humor. The software doesn't have opinions about law school. I do.”

The photo accompanying this release shows a quieter side of the same artist: seated on a rock beside a green mountain lake, in a waxed jacket, with snowy peaks disappearing into the fog. It's a long way from the city sidewalk in the song, and that contrast suits him. The jokes are loud; the person writing them takes his time.

Listen and Download for Free

All of Mike Sain't Louis's music, including “Licenciada en derecho,” is free to stream and download at https://mikesaintlouis.com, with the full lyrics for every song. No purchase, no sign-up. His catalog is also available on Spotify, Deezer and other major streaming platforms. Updates, music videos and behind-the-scenes posts are on Instagram at @planetagayfolk.

About Mike Sain't Louis

Mike Sain't Louis is a Madrid-based indie alternative artist who calls himself “the first AI singer-songwriter.” He writes all of his own lyrics and serves as composer, music producer and creative director, using artificial intelligence as his production and arrangement tool for music and vocals. As founder and CEO of the independent label MIKE SAIN'T LOUIS, he releases everything without a record company or intermediaries. His project PLANETA GAYFOLK spans 273 singles, more than 280 music videos and the three-album GAYFOLK trilogy — irreverent, uncensored queer alt-pop with a sense of humor, ranging from electropop and ballads to Spanish copla.

Press Contact

Mike Sain't Louis — MIKE SAIN'T LOUIS (independent label) Email: info@mikesaintlouis.com Website: https://mikesaintlouis.com Instagram: @planetagayfolk